HOW TO POROMOTE CONCERTS, SIMPLIFIED
SIMPLIFIED, in 174 Pages By HAL DAVIDSON
OVERVIEW/ CONTENTS OVERVIEW
It's not so simple. So we made thousands of edits over many years to reduce a complicated business into a 160 page read-and-promote manual. This book helps you figure out the right, winning formula for your unique event.
In a business with no schools or declared standards, we’ve abridged The Bible of the Business, HOW NOT TO PROMOTE CONCERTS & MUSIC FESTIVALS, a best seller in its category online since 2000, into a reconstituted, succinct, step-by-step insider's guide on the art of promoting concerts called HOW TO PROMOTE CONCERTS, SIMPLIFIED.
It first took us 25 years to compile enough notes, plans, proposals, contacts and facts to write the How-Not-To book in late 1999. Starting as a 160 page compilation of experiences, now grown into the present 374 page behemoth of what-to-do and what not-to-do when promoting concerts. Selling over 3,000 copies worldwide, now with a CD containing 23 usable forms, we’ve .
repeatedly received requests for a simpler version for layman and promoters who want to know more, but streamlined.
The reality is, promoting concerts is more difficult than you might think. It takes a lot more effort and is a lot more expensive than people think. Other books falsely sugar-coat the inside truths that real promoters know. It's like any other business in that it takes years to become proficient. No matter how smart you think you are, you can't know it until you experience it all. This simplified version has taken what should take many years to learn and reveals the professional details for easy consumption. Reading this one book makes it easier for you.
Concerts are a puzzle of components that need to match up or you won't break even. HOW TO PROMOTE, simplifies what it takes to do better than break even and increase your chances of winning on your first event. There IS a correct order of action and this book shows you how to do your cost sheet first to find your accurate breakeven point and profit margin. The book is also very heavy on promotion and operations.
He admits that no matter how smart you are, “you're likely to get hammered on your first event. That's part of the education, making mistakes." Hal said. Promoters have their own signature and style. No two promoters do everything the same way. But there are standardized ways of methodically executing the various stages of the promoting and producing process. The book breaks down each component. New promoters are shocked to see the cost of entering the business. Shrewd talent agents calculate the artist's share per seat, making it hard to profit. How to figure what you should pay the act, how to negotiate with agents, how to promote, estimate the attendance and how to correctly price the tickets, it's all covered in this simplified book. It confirms answers to questions, and those you hadn't thought of.
Promoters are not the most altruistic people. There is no incentive for established promoters to help you or guide you. Hal Davidson is different. One of the most controversial promoters of our time, Abramson states, "I really enjoy helping new promoters who haven't yet learned vindictive, hateful behavior. The newbies have promoting dreams and a lot of drive. If I can help them promote correctly, it truly helps the industry become a kinder place, my books have helped thousands of promoters minimize loss and maximize their chances of concert promoting success".
Hal Davidson has promoted more different types of events than almost anyone else you’ll meet . Having been both an indie entrepreneurial Promoter and a successful Marketing, Management, Sales and Operations Executive, he's promoted everything from Trade Shows to major Music Festivals since 1975. You benefit from proprietary methods and extraordinary insight not available anywhere else.
Hal is an active promoter presently working with other promoters on their projects. He welcomes your phone calls at (731) 438-1597, EST to discuss your dream project. Try calling other so-called promoters for help. Are they even willing to listen?
"There's more to promoting than money, it’s about giving and bringing people together. If you follow that mantra, your dreams will come true"
SUBJECT
THE AUTHOR
MEDIA FORMS
INTRODUCTION
BUYING RADIO
WHAT IS A PROMOTER?
RADIO COPY
ONE OR MORE EVENTS
SPOT PRODUCTION
FUNDING
CONCERT PROMOTIONS
SET UP YOUR BUSINESS
SPONSORSHIPS/ PROPOSALS
RELATIONSHIPS/ STAFF/ VENUE
PUBLIC RELATIONS
COMPETITION
STAFF/ SECURITY/ POLICE
AGREEMENTS
TICKETING/ FORMS
CO-PROMOTIONAL
TALENT, AGENCIES
INDEPENDENT CONTRACTOR
OFFER SHEET
VENDOR
ARTIST ENGAGEMENT CONTRACTS
NON DISCLOSURE/ NON COMPETE
STAGE PRODUCTION
SEQUENCE OF EVENTS
DECIBEL LEVEL CHART
LEGAL/ LAWYERS
PRODUCTION SCHEDULE
TRADEMARKS/ COPYRIGHTS
SHOW DAY NOTES
PERMITS/ TAXES
RIDER CONTRACT
BOND, INSURANCE
MISTAKES OF FIRST TIME PROMOTERS
COSTS, BUDGET
SEQUENCE OF EVENTS
COST SHEET
WHAT TO DO IF SHOW IS DYING
NIGHTCLUBS/ RAVES
PROMOTER’S VOCABULARY
WEB MARKETING
CHRISTIAN SHOWS
REGGAE CONCERTS
CONCERT MARKETING/ ADVERTISING
MARKETING PLAN
 
Disclaimer
HOW NOT TO PROMOTE CONCERTS AND MUSIC FESTIVALS©, HOW TO PROMOTE CONCERT SIMPLIFIED©, WINNING METHODS THE PROS USE TO PROMOTE WEB SITES© and CONCERT PROMOTIONS PROPOSAL PLANS CONTRACTS© by Hal Davidson, 2017 all rights reserved. Published by Concert Promotions Publishing Co., Rockville, MD, USA 20855. Stompin76™, concert-promotions.com and concert-promotions.net is the property of Hal Davidson, 2000-2017 all rights reserved. The content and layout of this website is the property of Hal Davidson. Commercial use is strictly prohibited. WRITTEN EMAIL PERMISSION IS REQUIRED TO USE ANY INFORMATION IN THIS WEBSITE IN PRINT OR ONLINE IN ANY OTHER WEBSITE.